Skip navigation

Such a well observed take on that time.

The drum sample that has long been unidentified from The Orb – Little Fluffy Clouds is from the first few seconds of Russ Abbott – Atmosphere.

Now I’ve got that out of my system, here’s something I was intending to post around now. Coldcut’s Christmas Break : Break, loping between Can’t Truss It and the 900 Number (among others), a weird artifact which predates Ninjatunes.”””

Observant parties may have noticed some activity of late, I’m still trying to get the right framework in place but in the interim please find another mix. A bit jungly, bit Weatherall this time around.

Also, an unprecedented tracklist for a change, get a load of this and see if it interests you:

Paul Weller – Kosmos(Lynch Mob Bonus Beats)
Lisa May – The Curse Of Voodoo Ray
DJ Nate – Hatas Our Motivation
Goldie – Crystal Clear
Orbital – Times Fly
Tobacco – Stretch Your Face
Origin Unknown – Valley Of The Shadows
The Orb – Hamlet of Kings
Paul Weller – Heliocentric (Swordsman 4UR Mix)
Meat Beat Manifesto – Asbestos Lead Asbestos (Plug Remix)
The Gaslamp Killer – Ruskie Electric
Jungle Brothers – Jungle Brother
The Dust Brothers – One Too Many Mornings
Kinobe – Slip Into Something More Comfortable
The Impossibles – The Drum
Julian Cope – Head (Heed: Of Penetration & The City Dweller Remix)
Eric B & Rakim – I Know You Got Soul(Acen remix)
KiD CuDi – Man On The Moon (The Anthem)
Kraftwerk – Expo 2000
Kid Acne – Hooligan 78
Monkey Mafia – Work Mi Body (Bobby Konders Vocal)
Jam On the Mutha – Hotel California (Orb in Cali Mix)
Fresh 4 – Wishing On A Star (Housey)
Johnny Panic And The Bible Of Dreams – Johnny Panic And The Bible Of Dreams
The Art Of Noise – Heart Of Love
Ennio Morricone – Giocoso, Gioioso (Groove Corporation remix)
Kid Acne – Hooligan 78
Beats International – Three Foot Skank
David Bowie – Love Missile F1-11
The Impossibles – The Drum (Andy Weatherall mix)
Izit – Stories (Stories Mix)
Electra – Autumn Love (Rave Mix)
Jah Wobble & The Invaders Of The Heart – Bomba (Nonsonicus Maximus Mix)

Look how underground I am, Paul Weller, Julian Cope, David Bowie, Tears For Fears & Norman Cook.

http://globalvariables.net/audio.out/content/04/outcast02.mp3“””

In the author’s opinion most of the tracks released on WAU! were experimental audio scribbles, although both Peace & Hotel California are still on the eternal playlist.

link“””

DISCO DISCO DISCO DISCO.

There was always just one thing that deterred me from letting go of this. I never did get to finish writing up Rumour’s Warehouse Raves series. Disc 8 had eluded me for so long, and it seemed that we would never meet, that I would remain unable to write a line under that series and know that we had dallied our last. Not that it was going to be a bad thing, as by this incarnation of the compilation things were decidedly ropey and with little of note among the never to be heard of again sampler cutandpastes but hey, it’s 2 years since Warehouse Raves 7 was covered in these pages and there is no time like the present.

Also, the double header of Big Brother & the World Cup is kind of killing my television.

The Reese Project – So Deep (Full Bump Mix)

Kevin Saunderson remixed by Bump, responsible for the handbag house of I’m Rushing.

Lovestation – Shine On Me (Garage Mix)

Possibly the most memorable track of this set.

Swingtime Dee – You & I (Future Love Mix)
Floor Control – Love Will Make It Right
Groove Corporation – Stoned (Gold Seal Mix)

Comprising the members of Electribe 101 who weren’t Billie Ray Martin.

DiY – Hothead (Original DIY Dub)

DiY were/are a legendary Nottingham based sound system who would not be out of place in context with Spiral Tribe or the Drum Club.

Harri – Skelph

Glasgow boy made good, cross licensed from Limbo – 23rd Precinct’s record label.

Grant Plant – Gotagetup
The Diceman – Le Noir

Unfortunately not the same Diceman incarnation as the Aphex Twin alias.

Masters Of The Monotonal Groove – Keep Pumpin’
Special Clock – Boom Pow! (Eventuala Mix)
LMNO – X

Colin James, who was responsible for The Diceman here. I wouldn’t be entirely surprised to find that Colin was responsible for the Warehouse Raves compilations and ran out of steam here.

So.

What now?

Probably a podcast, but more of a mixtape. Hopefully weekly but I can’t promise that for certain. Let’s see how I get on over the next month and we’ll take it from there.

The Warehouse Raves series ended with volume 8, by this time the series had changed name to the slightly more generic Warehouse 8. Unfortunately trying to find this final volume proves to be somewhat tricky due to the Dave Matthews Band releasing a series of bootleg/live CDs called live at Warehouse 8. Hrr. Anyway, might as well pick up where I left off last year with this series. I had intended to come to this one day, but just didn’t find the time.

First up, and needing no introduction Nomad (ft. MC Mikee Freedom) – I Wanna Give You Devotion. Supposedly based on Ten City’s Devotion, but I’ve never really noticed the match between the two tracks.

Secondly, another anthem of the time that doesn’t really need me to say anything about it, but I’m going to ramble over the front of the track much like an uninvited stranger who turns up before your dinner. Originally a track that may have been indirectly responsible for a million mashups, this takes a Candi Staton vocals and layers it carefully over the bassline from Frankie Knuckles ft. Jamie Principle – Your Love. I am of course talking about The Source – You Got The Love. It’s presented here in the Erens bootleg variety, but I’ve also included the less common Morning Time remix by the very lovely Olimax.

This is followed by fairly forgettable tunes from DJ’s Rule with Get Into The Music which is just weak and very out of date, Oval Emotion with Go Go which is fairly dreadful filler with Marshall Jefferson samples. Orchestra JB follows with Come Alive sampling Madonna’s Justify My Love. As a general observation by this point a lot of the content is nothing more than filler, and the next track, Baby Doll House – What’s Up is proving this theory due it’s general terribleness. I’m not even sure what sort of sound this is trying to acheive, weak flutey bollocks. And speaking of flutes, B.D.J. & Warriors 6.1.0. Welcome (Big Flute) is one flute away from Secchi – Flute On, which is about the only Flute House track I remember liking.

Continuing with the task in hand, next is Greed – Give Me (The Quadrant Remix) which seems to make liberal use of Lost – The Gonzo (more of this later) and Kariya – Baby Let Me Love You For Tonight, a classic house track from around the same time.

Tuff Little Unit – Join The Future has a sound that I’ve always identified with early Warp releases, the rubbery sub bass sound that I could have sworn was given out with every contract for the label, or lived in the water there. The other highlight of this disc is the aforementioned The Gonzo, named after my favourite muppet, samples “Hey, We want some Pussy” and has an awesome 90s rave breakdown.

The final two tracks are both great for different reasons, Undercover Movement’s – Moonstompin’ which is a great piece of early Drum ‘n’ Bass and Indo Tribe – In The Mind Of A Child (First Born Mix) is a Future Sound of London pseudonym.

Warehouse Raves on ebay

Tip! Don’t image search google for Gonzo expecting to find just pictures of muppets.

I’ve mentioned my Trainspotting anecdote before, but I don’t think I posted the track in question so that’s something I need to resolve.

I’ve always found dreamtime to be an odd sequence, my dreams tend towards abstraction and nonsense. An old friend, who we’ll call Marcus on account of his name being Marcus once said that dreams would usually fall apart once you were faced with something you couldn’t deal with in real life. His example of the time was that you would be trying to drive a car up Berryknowes Road and then things would turn once you passed Joy Sinclair’s home and the car would turn into an Irn-Bru bottle and things would slowly dissolve into bizarrity as you progressed further. No real need to get weirder as the home in question later became a focal point when her mother’s partner was kidnapped and beheaded, but I digress somewhat. I was once a leader in the scouts, and Beverley was one of the named Jungle Book members. My strongest memory of her was once in Wales we took a number of young boys for a week or so camping, and she wanted me to clear up a pants explosion accident by one of the youngsters but I made myself scarce for some time until Bagheera or someone dealt with it. This grouping feeds back into my early DJ partnership and initial learning with my previously mentioned colleague, but that’s not for today.

Anyway, back to the dreamtime. In previous installments I’ve mentioned dream confusion, and in particular I have a very strong memory of a different time in Wales and a dream of seeing a sticker for the Andrew Weatherall Radio Show emblazoned on a burnt out car. My dream memories were tickled recently with something I consider similar, but not originating from a dream.

A few weeks ago, myself and the entourage (Mrsstx & ministx) were shopping in Germany for the usual assortment of cheap meat and beer and we were returning to Swissyland. Due to our recent move, we pass a local Bio-store called Hoheners(which I think has many more umlauts than I’ve given it) and while we pause at the traffic lights I notice a poster with a familiar face that is strangely out of place on a street corner.

I rub my eyes in my best overblown Harold Lloyd fashion, and again as I wonder if the few times I’ve tried acid have come back to me in force. I realise I’m looking at a poster of Dieter Meier promoting his own brand of wine.

Bedrock featuing Kyo – For What You Dream Of

Bedrock featuing Kyo – For What You Dream Of (Instrumental Edit)

Yello items on ebay

When I was 14 or thereabouts, I formed an uncomfortable relationship with the local newsagent. I delivered newspapers for them for about 8 quid a week battling extreme weather conditions while riding a Grifter bike and spent my profits on Star Wars figures. This was about the time of Return/Revenge of the Jedi and the Ewoks that were blocked out on the back of the figure card so George Fatbeard could unleash a kiddy friendly marketing campaign on the back of those damned teddy bears. Anyway, one day the shopkeeper had a new box of delights, computer games for 2 quid. Or more accurately, games for £1.99. Mastertronic games in particular, but not solely those as there were other publishers of cheap pabulum, one in particular (who I’ve just found out was called Atlantis Software Limited) produced a game called Mosquito.

This was in no way a complex piece of software, but it was important to me in that it was the first one I figured out how to modify the running code. We had 3 televisions at home, one in the living room that was for general TV, one black and white with rotary dial for my use and one in the back room for other usages. I was sometimes allowed to use the back room TV for gaming, and it had a fault that meant that anything with execssive black on screen caused the screen to roll in a fashion similar to displaying NTSC on PAL native hardware. While trying to get Mosquito to work, I somehow found that the game could be paused and the in memory code could be rewritten. Kind of like the way you could run an IDE in debug mode. I learned that I could then poke the address (36879) corresponding to the border colour of the game and force this into light blue instead which would allow me to play the game on the back room TV without rolling screen.

It wasn’t a particularly great game, a kind of Lock & Chase knock-off but the empowerment I found from fixing this bug this lead me into the areas of computing that I wouldn’t have discovered otherwise and probably helped direct my career as it was. I’ve found a tape image of the game on the internet, and there is a screen capture of it below. I can’t seem to figure out the joystick settings though, so haven’t been able to play it so far. It seems to have borrowed some sound effects from Defender, although that might have been the limitations of the sound chip on board as I’m pretty sure the Vic didn’t support samples. Not only that, but with only 3.5 Kb of addressable memory it’s kind of tricky to find space to place them. I think the first sample used in a videogame was in Ghostbusters for the C64/Spectrum, a supposed rendition of “He slimed me” came out sounding more like “He’s floon loo”.

Anyhow, enough reminiscing about videogames for now.

The Scientist – The Exorcist

The Scientist – The Bee : It was listening to this earlier that had me thinking about insects. Well, this and the massive insects that lurk outside of my home now that I live somewhere more rural than I used to. I don’t think I had ever seen a fly with distinct feet before.

Buy Mosquito for the Vic 20 on ebay.